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Emily Motto
BFA Fine Art, 2014
Ruskin School of Drawing & Fine ArtI make playful sculptures that perform and evolve throughout, and beyond, my creation – especially in terms of their shape, and the physicality of the unstable materials that I build them from. I am passionate about making forms that behave and engage like figures; sensual, tactile, fragile, unstable and transient.
THE RED MANSION ART PRIZE EXHIBITION 2015
Exhibition dates: Friday 20 March – Friday 27 March, 10:00 – 18:00
Slade Research Centre, UCL, Woburn Square, London, WC1H 0AB
The Red Mansion Art Prize was established to promote artistic exchange between China and the UK.
During the summer of 2014, the talented winners of the Red Mansion Art Prize travelled to China for one month. They were given studio space and the opportunity to live and work alongside local artists with flights, accommodation and a spending allowance provided for them.
An exhibition of the works produced by the students over this time is being held at the Slade Research Centre from Friday 20th to Friday 27th March. The opening times of the exhibition are 10:00 to 18:00.
The judges of the 2015 Red Mansion Art Prize were Kirsty Ogg, Director at Bloomberg New Contemporaries; Michael Newman, Art critic and Historian; Matt Williams, Artist; Carey Young, Artist, and Nicolette Kwok, Director of The Red Mansion Foundation.
The exhibition will feature work by the following 2014 art prize winners:
Emily Motto | The Ruskin School of Art |
Tristan Barlow | Slade School of Fine Art |
Julie Born Schwartz | Royal Academy Schools |
Dominic Hawgood | Royal College of Art |
Adam Tylicki | Central Saint Martins |
Cadi Froehlich | Chelsea College of Arts |
Red Mansion Art Prize Exhibition details
THE RED MANSION ART PRIZE EXHIBITION 2014
12th – 19th April 2014
The Royal College of Art
Dyson Building, 1 Hester Road, London, SW11 4AN
The Red Mansion Art Prize was established to promote artistic exchange between China and the UK.
During the summer of 2013, the talented winners of the Red Mansion Art Prize travelled to China for one month. They were given studio space and the opportunity to live and work alongside local artists with flights, accommodation and a spending allowance provided for them.
An exhibition of the works produced by the students over this time is being held at The Royal College of Art from Saturday 12th to Saturday 19th April, including the weekend. The opening times of the exhibition are 12:00 to 17:00.
The judges of the 2013 Red Mansion Art Prize were Tessa Jackson (Chief Executive, INIVA), Stephanie Rosenthal (Chief Curator at the Hayward Gallery), Alison Turnbull (Artist) and Nicolette Kwok (Director of the Red Mansion Foundation).
The exhibition will feature work by the 2013 winners:
Ghazaleh Avarzamani Central Saint Martins
Tom Railton Chelsea College of Art & Design
Sung Eun Chin Goldsmiths College
Caroline Abbotts The Royal Academy Schools
Abigail Sidebotham The Royal College of Art
Jakob Rowlinson The Ruskin School of Drawing and Fine Art
Imran Peretta The Slade School of Fine Art
THE RED MANSION ART PRIZE EXHIBITION 2013
15th - 23rd April 2012,
The Lethaby Gallery, University of the Arts London
Granary Building, 1 Granary Square, London, N1C 4AA
The Red Mansion Art Prize was established to promote artistic exchange between China and the UK.
During the summer of 2012, the talented winners of the Red Mansion Art Prize travelled to China for one month. They were given studio space and the opportunity to live and work alongside local artists with flights, accommodation and a spending allowance provided for them.
An exhibition of the works produced by the students over this time is being held at The Lethaby Gallery, Central Saint Martins College of Art and Design from Monday 15th to Tuesday 23rd April, including Saturday 20th April. The opening times of the exhibition are Monday to Friday 10am – 6pm and Saturday 10 – 4pm.
The judges of the 2012 Red Mansion Art Prize were Ben Roberts (Programme Coordinator, Camden Arts Centre), Eliza Bonham Carter (Head of Royal Academy Schools), Matt Williams (Curator, ICA), Vanessa Jackson (Senior Tutor, Royal Academy Schools) and Nicolette Kwok (Director of the Red Mansion Foundation).
The exhibition will feature work by 2012 winners:
Martin Cordiano Central Saint Martins College of Art
Hana Janeckova Chelsea College of Art and Design
Choterina Freer Goldsmiths College
Andrew Mealor The Royal Academy Schools
Elizabeth Gossling The Royal College of Art
Shakyra Campbell The Ruskin School of Drawing and Fine Art
Teo Ormond-Skeaping The Slade School of Fine Art
Red Mansion Art Prize Exhibition details
Click here to see photographs from the Private View
BEIJING BIENNALE
National Art Museum, Nati
onal Museum No.1 Wu Si Da Jie,
Dongcheng District, Beijing, China 100010
8 July – 13 August 2008
The Red Mansion Foundation was pleased to be chosen to curate the British Pavilion at the Beijing Biennale in July 2008.
Following a show in 2005 in which The Red Mansion Foundation exhibited works by Royal Academicians at the National Art Museum in Beijing, the Chinese Artists Association approached our organization to select a group of artists and their work to be put forward for the Biennale. This show comprised of a group of artists and sculptors that includes former Red Mansion Art Prize winners and a fresh breed of British artists, as well as some more established artists. The full list runs thusly:
Allen Jones, Anthony Francis, Petros Chrisostomou, Bruno Pacheco, Charlotte Crowther, Chris Jones, Christian Ward, David Mach, Francesca Lowe, Ian McKeever, Susan Stockwell and John Bellany.
This exhibition did not aim to be comprehensive but envisaged the exposure of the Chinese audience at the Biennale to a fresh generation of British artists, as well as honouring the legacy of respected and acknowledged artists. The Red Mansion Foundation felt very privileged to be invited to participate in the third Beijing Biennale and to be able to continue its relationship with the Chinese Artist Association.
CHINA NOW
One of the Red Mansion’s most admired and beloved permanent pieces, a striking sculpture by the artist Zhan Wang, entitled the “Scholar’s Rock”, will be on display over the Summer of 2008 at Wisley Gardens, as part of a sculpture trail for the “China Art Now” season. The trail will link pieces from the British Museum and the Hayward gallery to name a few, and should be a breathtaking experience. Wisley is one of Britain’s best loved garden with 240 acres of land, offering a fascinating blend of the beautiful with practical and innovative design.
52ND VENICE BIENNALE
Venice
10 June – 21 November 2007
The Red Mansion Foundation was co-sponsor of the Chinese Pavilion at the Venice Biennale this year. The Chinese Pavilion, entitled ‘Everyday Miracles’ was curated by Hou Hanru and focused on the work of four female artists, a valuable and urgent project in both Chinese and international contexts. The artists are Shen Yuan, Kan Xuan, Cao Fei and Yin Xiuzhen. The four artists created site specific works in the Arsenale building and the Vergini Gardens. Both inside and outside of China, despite or perhaps because of the booming development it is undergoing, the passion for contemporary Chinese art often overlooks the particular importance of women artists. Ranging in age from their twenties to mid-forties the artists exemplified in very different ways the evolution of the relationship between female artists and the Chinese art scene.
10th Istanbul Biennial
Curator: Hou Hanru
8 September – 4 November 2007
The Red Mansion Foundation will be supporting The 10th International Istanbul Biennial project in September, entitled ‘Not Only Possible, But Also Necessary – Optimism in the age of global war’. The 10th International Istanbul Biennial, organised by the Istanbul Foundation for Culture and Arts, will be open in the city from September 8 – November 4, 2007, under the curatorship of Mr. Hou Hanru, currently Director of Exhibitions and Public Programs at San Francisco Art Institute. The biennial will focus on urban issues and architectural reality as a means of exposing different cultural contexts and artistic visions regarding the complex and diverse forms of modernity.