ZHAO BANDI - touring show over the summer

Zhao Bandi and his panda were invited to London for a one month residency in 2003 to produce a series of works inspired by their experiences in Britain. Bandi created a video and a series of photographs with captions.

The Manchester Art Gallery, the Ikon Gallery in Birmingham and Aspex Gallery in Portsmouth as well as the London Underground were showing his work simultaneously during the summer of 2004 in a series of off-site shows (billboards and banners) and gallery-based exhibitions.

26 June - 05 September 2004 Manchester Art Gallery
03 July - 28 August 2004 Aspex Gallery, Portsmouth
27 July - 12 September 2004 Ikon Gallery, Birmingham
12 July - 11 October 2004 Platform for Art, Piccadilly Circus, London


Julia Loktev, Julike Rudelius and Cui Xiuwen
July 2004 - September 2004


28 June - 23 August 2003
Aspex Gallery Portsmouth

Gods and monsters that inhabit ephemeral, ficticious or utopian realms are featured in Yao Juichung's photographic installations. The artist examines the human plight and explores our need to immerse ourselves in a world of illusion in order to escape the helplessness of real life.

Yao Juichung is a Taiwanese artist, critic and curator with an international reputation. He represented Taiwan at the Venice Biennale in 1997 and has exhibited extensively in Asia, Australia, Europe and North America.


26 March - 18 May 2003
Economist Plaza, St. James's Street SW1

Outside at the Economist Plaza The Red Mansion Foundation exhibited sculptures by two distinguished Chinese artists, Sui Jianguo and Zhan Wang.


Featured Artists: Gao Shiqiang, Jiang Zhi, Kwok Ying, Miao Xiaochun,
Shi Jinsong, Xiang Jing and Xiao Yu
Curated by: Jiang Jiehong
Dates: 26th February - 24th April 2009

Blades and latex: A Chinese re-imagining of a traditional Christian icon...
Angels are first described in the Bible. Created by God as a separate, higher order of creatures than humans, they possess aspects of intelligence, emotions, and free will. Today, angels are continuously imagined and represented, both in literature and visually, beyond their theological context and biblical origins; at the same time, the image of angels has been utilized for curiosity, communication or faith.

In the history of Western art, there have been numerous images representing angels, usually winged in appearance, implying their nature as God's heralds and flying creatures. In China, these spiritual beings have always been deemed as Western, yet, to many, the contemporary imaginings of angels do not necessarily derive from the original source, (their description in the Bible), but instead depend on the visual interpretations of Western art. This exhibition, The Tale of Angels, aims to set up a framework for discussion, and to encourage and invite Chinese artists to expand their boundaries, and develop new ideas for visual response. It intends to re-examine not only the theoretical notion of an angel, but also, more significantly, the ways in which angels, particularly in the context of Western culture, could be re-imagined. To the artist Shi Jinsong, the beauty of angels has an innocent quality. At an initial glance, his recent stainless steel installation of a Christmas tree has a glorious metallic shine, but it a closer look reveals some fearsome sharpened blades. This work exposes the balance between the beauty of angels and their potentially wrathful nature, and more importantly, the conflict between the amiability of 'imagination' and the injuriousness of 'realisation'. Jiang Zhi has imagined another chilling visualization; that of the flayed flesh of an angel, vulnerable in its nakedness and desolation, like a discarded skin.

Two lectures by the curator will be given during the course of the show, dates and topics tbc. Dr Jiang Jiehong is Senior Lecturer and Director of the Centre for Chinese Visual Arts at Birmingham Institute of Art and Design, Birmingham City University.